Buy Gold: Read 9 Digital Music Reviews. The Velvet Underground is a band I can listen to in the midst of any mood. AbeBooks Rare Books & Textbooks. Velvet Underground YoutubeRecordmecca's Jeff Gold travels the world in search of rare music memorabilia and collectible. The Case for Gold, will make a rare Washington, D.C. Find great deals on eBay for velvet underground gold. Shop with confidence. Velvet Underground What Goes On for sale. Velvet Underground-Rare hard to find 3 cd set-What Goes On.This is a sensational compliation of VU recordings from all Verve. The Velvet Underground & Nico is the debut album by American rock band the Velvet Underground, released in March 1967 by Verve Records. Accompanied by vocalist Nico. Record shop for the velvet underground & nico, Rare the velvet underground & nico. The Velvet Underground - Wikipedia. The Velvet Underground was a rock band formed in New York, America, by singer/guitarist Lou Reed, multi- instrumentalist John Cale, guitarist Sterling Morrison, and drummer Angus Mac. Lise (who was replaced by Moe Tucker in 1. While the group's integration of rock and the avant- garde achieved little commercial success during their existence. Their debut album, The Velvet Underground & Nico (with German born singer and model Nico), was released in 1. Singer/songwriter/guitarist Lou Reed had performed with a few short- lived garage bands and had worked as a songwriter for Pickwick Records (Reed described his tenure there as being . Cale had worked with experimental composers Cornelius Cardew and La Monte Young, and had performed with Young's Theatre of Eternal Music, though was also interested in rock music. Cale was pleasantly surprised to discover that Reed's experimentalist tendencies were similar to his own: Reed sometimes used alternative guitar tunings to create a droning sound. The pair rehearsed and performed together; their partnership and shared interests built the path towards what would later become the Velvet Underground. Reed's first group with Cale was the Primitives, a short- lived group assembled to issue budget- priced recordings and support an anti- dance single penned by Reed, . Reed and Cale recruited Sterling Morrison—a college classmate of Reed's at Syracuse University—as a replacement for Walter De Maria, who had been a third member of the Primitives. This quartet was first called the Warlocks, then the Falling Spikes. Mac. Lise made a suggestion to adopt the title as the band's name. The band immediately and unanimously adopted the Velvet Underground as its new name in November 1. The newly named Velvet Underground rehearsed and performed in New York City. Their music was generally much more relaxed than it would later become: Cale described this era as reminiscent of beat poetry, with Mac. Lise playing gentle . Nothing ever came of this, but the demo was eventually released on the 1. Peel Slowly and See. Manager and music journalist Al Aronowitz arranged for the group's first paying gig—$7. US$5. 70 in 2. 01. When they decided to take the gig, Mac. Lise abruptly left the group, protesting what he considered a sellout; he was also unwilling to be told when to start and stop playing. Tucker's playing style was rather unusual: she generally played standing up rather than seated and had an abbreviated drum setup of tom- toms, snare and an upturned bass drum, using mallets as often as drumsticks, and rarely using cymbals (she admits that she always hated cymbals). When her drums were stolen from one club, she replaced them with garbage cans, brought in from outside.) Her rhythms, at once simple and exotic (influenced by the likes of Babatunde Olatunji and Bo Diddley records), became a vital part of the group's music, despite Cale's initial objections to the presence of a female drummer. Warhol's reputation helped the band gain a higher profile. He helped the band secure a recording contract with MGM's Verve Records, with himself as nominal . Warhol included the band with his show in an effort to . Because of the punishing lights, the band took to wearing sunglasses onstage. This soon changed to . For these appearances, Cale sang and played organ, Tucker switched to bass guitar and Mac. Lise was on drums. Also at these appearances, the band often played an extended jam they had dubbed . Some of these performances have been released as a bootleg; they remain the only record of Mac. Lise with the Velvet Underground. According to Morrison, Mac. Lise is said to have regretted leaving the Velvet Underground and wanted to rejoin, but Reed specifically prohibited this and made it clear that this stint was only temporary. It should be noted, however, that Mac. Lise still behaved eccentrically with time and commerce and went by his own clock: for instance, he showed up half an hour late to one show and carried on with a half- hour of drumming to compensate for his late arrival, long after the set had finished. Also enclosed was a 2- sided flexi disk, side one produced by Peter Walker, a musical associate of Timothy Leary, and side two titled . Kostek and Phil Milstein in the book The Velvet Underground Companion. The album was recorded primarily in Scepter Studios in New York City during April 1. TTG Studios in Los Angeles, along with the new song . The album was released by Verve Records the following year in March 1. The album cover is famous for its Warhol design: a yellow banana sticker with . Those who did remove the banana skin found a pink, peeled banana beneath. Eleven songs showcased the Velvets' dynamic range, veering from the pounding attacks of . A technique used on many songs was the . Despite his proficiency on the instrument, Morrison hated playing bass. Billboard magazine's Top 2. Pepper's Lonely Hearts Club Band in June 1. They didn't release it for almost a year. Tom Wilson at Verve/MGM only bought the album from me because of Nico. He saw no talent in Lou . Reed once commented on their leaving Warhol: ? Or do you want to start moving into other areas? He was really mad, called me a rat. It was the worst thing he could think of. Both Cale and Reed called Sesnick a . Gary Kellgren, who is ultra- competent, told us repeatedly: . Just do the best you can. We had the energy and the electronics, but we didn't know it couldn't be recorded.. The album was released on January 3. Billboard Top 2. 00 chart for two weeks, at number 1. Tensions were growing: the group was tired of receiving little recognition for its work, and Reed and Cale were pulling the Velvet Underground in different directions. The differences showed in the last recording sessions the band had with John Cale in 1. Reed's direction (. Further, some songs the band had performed with Cale in concert, or that he had co- written, were not recorded until after he had left the group (such as . According to Tim Mitchell, however, Morrison reported that while there was creative tension between Reed and Cale, its impact has been exaggerated over the years. Cale had some wacky ideas. He wanted to record the next album with the amplifiers underwater, and . He was trying to make the band more accessible. Yule, a native New Yorker, had moved to Boston to attend Boston University as a theater major, but left the program after one year to continue playing music. It was during this period that Morrison heard Yule playing guitar in his apartment, and mentioned to Reed that Yule was practicing guitar and was improving quickly. After several months of shows in the US, the band swiftly recorded their third album The Velvet Underground in late 1. TTG Studios in Hollywood, California, and was released in March 1. The cover photograph was taken by Billy Name. The LP sleeve was designed by Dick Smith, then a staff artist at MGM/Verve. Released on March 1. Billboard's Top 2. The harsh, abrasive tendencies on the first two records were almost entirely absent on their third album. This resulted in a gentler sound influenced by folk music, prescient of the songwriting style that would soon form Reed's solo career. While Reed had covered a vast range of lyrical subjects on the first two Velvet Underground albums, the lyrical themes of the third album were more . Reed's songwriting also covered new emotional ground as well, as heard in the songs . The personal tone of the album's subject matter resulted in Reed's desire to create a . The second (and more widely distributed) mix is the stereo mix done by MGM/Verve staff recording engineer Val Valentin. Another factor in the change of sound was the band's Vox amplifiers and assorted fuzzboxes rumored to have been stolen from an airport while they were on tour and they obtained replacements by signing a new endorsement deal with Sunn. In addition, Reed and Morrison had purchased matching Fender 1. Doug Yule plays down the influence of the new equipment. Morrison's ringing guitar parts and Yule's melodic bass guitar and harmony vocals are used prominently on the album. Despite these commercial setbacks, the band focused on performing live shows on the road, playing both re- worked songs from their past albums, and debuting new songs that would find their way onto the Loaded album, such as . While the band continued to do extended improvisations in their live shows, by 1. The live album 1. The Velvet Underground Live (with Reed, Yule, Morrison & Tucker) was recorded in October 1. Mercury Records, at the urging of rock critic Paul Nelson, who worked in A& R for Mercury at the time. Nelson asked singer- songwriter Elliott Murphy to write liner notes for the double album. In his notes, Murphy described a scene 1. He wondered what the student would make of the music and concluded, . During 1. 96. 9 the band recorded on and off in the studio, creating a lot of promising material (both singles and one- offs) that were never officially released at the time due to disputes with their record label. What many consider to be the prime songs of these recording sessions were released years later, in 1. VU. The album VU marks the transitional sound between the whisper- soft third album, and the band's movement to the later pop rock song- style of their final record, Loaded. After Reed's departure, he later reworked a number of these songs for his solo records over the years: . A new president, Mike Curb, was hired and he decided to cancel the recording contracts of 1. The drug or hippie- related bands were released from MGM, and the Velvets were on his list, along with Eric Burdon and the Animals and Frank Zappa's Mothers of Invention. Nonetheless MGM insisted on retaining ownership of all master tapes of their recordings and according to an MGM representative in a Rolling Stone article from 1. The cuts were made partly to do with the drug scene—like maybe a third of them had to do with drug reasons. The others were dropped because they weren't selling.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. Archives
August 2017
Categories |